
New Shorts: There Was A Factory
Tuesday, 18 January 2022

Image: Look At Us, Hussina Raja, 2021
There’s an arresting tenderness to these films that flies in the face of conventional portrayals of labour. Though concerned with the socio-economic, political and moral impulses of their characters, these films nevertheless find hilarity, softness and beauty in their often-challenging settings. There’s dance to be found in the brutal angles of a dockyard, outlandish characters at an abandoned lido and defiance in the face of gentrification. Singing with spirit and coloured by nostalgia, these shorts are cinematic depth-charges – incendiary and vital despite their brevity.
Curated by Varun Raman
Carrying Us
Elsa Monteith, Hazel Davis, Adam Laurence
5'
2021
United Kingdom
Carrying Us is an audio-visual patchwork that explores the past, present and personal of Brighton’s high street through spoken word and video collage. Imagining the high street as a vessel - a container of both commerce and community - three young Brightonians interrogate what pockets we want to preserve and protect. This is their high street, a place of potential, imagined and collective hope for a different future. The film is a collaborative project created by Elsa Monteith, Hazel Davis and Adam Laurence, participants of the Lighthouse Young Creatives programme.
You Can’t Automate Me
Katarina Jazbec
20'
2021
Netherlands
Before container-ships leave port, lashers secure the containers using heavy metal bars. They are the last port workers to do such dangerous jobs surrounded by self-driven vehicles and remotely operated cranes. Each body tells its own story: from grieving for a colleague who died on the job to just keep going. Stowaway animals appear as visions of a more natural world.








